PROGRAMA DE RESIDENCIAS INTERNACIONALES
Puente escénico internacional: Artistas asociados de Fundación Cuerpo Sur inician residencias creativas en Francia
For the first time, our cycle of living arts and creative processes occurs abroad. This July 4—5, an abbreviated version of Ventana al Sur will be part of the 42nd edition of BELLUARD BOLLWERK.
'Looking South, Encountering Latitudes' is the premise of this special export curatorship. One of the interests of Belluard Bollwerk is the exchange with knowledges and practices of the South. With our long term Avanzada Sur programme, 4 artists were invited to develop their practice and relationships with land and nature through the engagement with different territories, entities, communities, and their wisdoms. Together, we organised a special edition of Ventana al Sur, a platform dedicated to these artists that work around earth and soil, plants and seeds, smells and fermentation. Natalia Montoya, Andrea Solano, Taina Villalobos and Mailza Bernard spent a week-long residency in Fribourg, connecting with local practitioners and artists in preparation of their performances at the festival.
Additionally, this year's edition featured a panel discussion on Cuerpo Sur's international exchange practices, while the festival's closing performance was led by our associate artist Josefina Cerda with her work "Feral."
The 2025 festival takes place from June 26 to July 5 in Fribourg, Switzerland.
For the first time, our cycle of living arts and creative processes occurs abroad. This July 4—5, an abbreviated version of Ventana al Sur will be part of the 42nd edition of BELLUARD BOLLWERK.
'Looking South, Encountering Latitudes' is the premise of this special export curatorship. One of the interests of Belluard Bollwerk is the exchange with knowledges and practices of the South. With our long term Avanzada Sur programme, 4 artists were invited to develop their practice and relationships with land and nature through the engagement with different territories, entities, communities, and their wisdoms. Together, we organised a special edition of Ventana al Sur, a platform dedicated to these artists that work around earth and soil, plants and seeds, smells and fermentation. Natalia Montoya, Andrea Solano, Taina Villalobos and Mailza Bernard spent a week-long residency in Fribourg, connecting with local practitioners and artists in preparation of their performances at the festival.
Additionally, this year's edition featured a panel discussion on Cuerpo Sur's international exchange practices, while the festival's closing performance was led by our associate artist Josefina Cerda with her work "Feral."
The 2025 festival takes place from June 26 to July 5 in Fribourg, Switzerland.
For the first time, our cycle of living arts and creative processes occurs abroad. This July 4—5, an abbreviated version of Ventana al Sur will be part of the 42nd edition of BELLUARD BOLLWERK.
'Looking South, Encountering Latitudes' is the premise of this special export curatorship. One of the interests of Belluard Bollwerk is the exchange with knowledges and practices of the South. With our long term Avanzada Sur programme, 4 artists were invited to develop their practice and relationships with land and nature through the engagement with different territories, entities, communities, and their wisdoms. Together, we organised a special edition of Ventana al Sur, a platform dedicated to these artists that work around earth and soil, plants and seeds, smells and fermentation. Natalia Montoya, Andrea Solano, Taina Villalobos and Mailza Bernard spent a week-long residency in Fribourg, connecting with local practitioners and artists in preparation of their performances at the festival.
Additionally, this year's edition featured a panel discussion on Cuerpo Sur's international exchange practices, while the festival's closing performance was led by our associate artist Josefina Cerda with her work "Feral."
The 2025 festival takes place from June 26 to July 5 in Fribourg, Switzerland.
MAILZA BERNARD (BRA)
RECORDATORIO
MAILZA BERNARD (BRA)
RECORDATORIO
MAILZA BERNARD (BRA)
RECORDATORIO
MAILZA BERNARD
(BRA)
Mailza Bernard is a multi-media artist and ceramicist, born in São Paulo and living in Tiradentes, MG. Her work integrates ceramics, digital art, audiovisual and performance, exploring sensoriality, motherhood, gender and eco-feminism. She worked as a cultural producer and curator on the Terrapuã project (2018/2019) and presented O Berro do Barro at the International Ceramic Culture Festival in Bogotá. She has taken part in group exhibitions in São João del Rei and Tiradentes and has had solo shows at Metaverso Voxel and the UFSJ Cultural Centre. She has deepened her research into art and technology through national and international residencies, such as American Arts Incubator, Ina Dao and Bienal Black Brazil.
RECORDATORIO
Recordatório proposes an encounter at the riverbed of the Sarine. Among jars of essences and clay objects, the performer manipulates aromas while a soundscape embraces the environment, mixing narratives around the colonisation of smell, memories and the relationship between body and territory. As words, movement and sounds develop, the performance activates memories, desires, and fears: Are we afraid to surrender to the uncontrollable universe of smells?
MAILZA BERNARD (BRA)
RECORDATORIO
MAILZA BERNARD
(BRA)
Mailza Bernard is a multi-media artist and ceramicist, born in São Paulo and living in Tiradentes, MG. Her work integrates ceramics, digital art, audiovisual and performance, exploring sensoriality, motherhood, gender and eco-feminism. She worked as a cultural producer and curator on the Terrapuã project (2018/2019) and presented O Berro do Barro at the International Ceramic Culture Festival in Bogotá. She has taken part in group exhibitions in São João del Rei and Tiradentes and has had solo shows at Metaverso Voxel and the UFSJ Cultural Centre. She has deepened her research into art and technology through national and international residencies, such as American Arts Incubator, Ina Dao and Bienal Black Brazil.
RECORDATORIO
Recordatório proposes an encounter at the riverbed of the Sarine. Among jars of essences and clay objects, the performer manipulates aromas while a soundscape embraces the environment, mixing narratives around the colonisation of smell, memories and the relationship between body and territory. As words, movement and sounds develop, the performance activates memories, desires, and fears: Are we afraid to surrender to the uncontrollable universe of smells?
LES LABORATOIRES D'AUBERVILLIERS (PARÍS)
MAILZA BERNARD (BRA)
RECORDATORIO
MAILZA BERNARD
(BRA)
Mailza Bernard is a multi-media artist and ceramicist, born in São Paulo and living in Tiradentes, MG. Her work integrates ceramics, digital art, audiovisual and performance, exploring sensoriality, motherhood, gender and eco-feminism. She worked as a cultural producer and curator on the Terrapuã project (2018/2019) and presented O Berro do Barro at the International Ceramic Culture Festival in Bogotá. She has taken part in group exhibitions in São João del Rei and Tiradentes and has had solo shows at Metaverso Voxel and the UFSJ Cultural Centre. She has deepened her research into art and technology through national and international residencies, such as American Arts Incubator, Ina Dao and Bienal Black Brazil.
RECORDATORIO
Recordatório proposes an encounter at the riverbed of the Sarine. Among jars of essences and clay objects, the performer manipulates aromas while a soundscape embraces the environment, mixing narratives around the colonisation of smell, memories and the relationship between body and territory. As words, movement and sounds develop, the performance activates memories, desires, and fears: Are we afraid to surrender to the uncontrollable universe of smells?
MAILZA BERNARD (BRA)
RECORDATORIO
MAILZA BERNARD
(BRA)
Mailza Bernard is a multi-media artist and ceramicist, born in São Paulo and living in Tiradentes, MG. Her work integrates ceramics, digital art, audiovisual and performance, exploring sensoriality, motherhood, gender and eco-feminism. She worked as a cultural producer and curator on the Terrapuã project (2018/2019) and presented O Berro do Barro at the International Ceramic Culture Festival in Bogotá. She has taken part in group exhibitions in São João del Rei and Tiradentes and has had solo shows at Metaverso Voxel and the UFSJ Cultural Centre. She has deepened her research into art and technology through national and international residencies, such as American Arts Incubator, Ina Dao and Bienal Black Brazil.
RECORDATORIO
Recordatório proposes an encounter at the riverbed of the Sarine. Among jars of essences and clay objects, the performer manipulates aromas while a soundscape embraces the environment, mixing narratives around the colonisation of smell, memories and the relationship between body and territory. As words, movement and sounds develop, the performance activates memories, desires, and fears: Are we afraid to surrender to the uncontrollable universe of smells?
MAILZA BERNARD (BRA)
RECORDATORIO
MAILZA BERNARD (BRA)
RECORDATORIO
MAILZA BERNARD
(BRA)
Mailza Bernard is a multi-media artist and ceramicist, born in São Paulo and living in Tiradentes, MG. Her work integrates ceramics, digital art, audiovisual and performance, exploring sensoriality, motherhood, gender and eco-feminism. She worked as a cultural producer and curator on the Terrapuã project (2018/2019) and presented O Berro do Barro at the International Ceramic Culture Festival in Bogotá. She has taken part in group exhibitions in São João del Rei and Tiradentes and has had solo shows at Metaverso Voxel and the UFSJ Cultural Centre. She has deepened her research into art and technology through national and international residencies, such as American Arts Incubator, Ina Dao and Bienal Black Brazil.
RECORDATORIO
Recordatório proposes an encounter at the riverbed of the Sarine. Among jars of essences and clay objects, the performer manipulates aromas while a soundscape embraces the environment, mixing narratives around the colonisation of smell, memories and the relationship between body and territory. As words, movement and sounds develop, the performance activates memories, desires, and fears: Are we afraid to surrender to the uncontrollable universe of smells?